鸟叔就读过的Berklee College of Music在edX上推出的Vocal Recording Technology今天开课了。本课程讲授有关声乐制作、录音和混音方面的技术方法和新兴的创新。由于国内音乐方面的大学课程较少特别是缺少讲述专业水平的录音技术课程，所以特别推荐这门慕课给大家。
提示：edX的部分课程是需要VPN翻墙才能观看哦 ╮(╯▽╰)╭ …
We are in the midst of an explosion of musical creativity as a result of technologies that allow you to record music using your laptop or tablet. Whether you are a singer, music producer, audio engineer, or just someone that likes to make good music with vocals, it is essential to have an understanding of vocal technologies for music production.Vocal Recording Technology provides students with insight into the voice itself, the recording environment, microphones, equalization, compressors, A-D-A conversion, the listening environment, human perception, natural widening concepts, artificial widening concepts, reverb, delay, and more.Grammy-award winning record producer, audio engineer, recording artist, and educator Prince Charles Alexander offers students a first-hand opportunity to learn the technologies behind vocal production, so that you can enhance your music productions with the most compelling and effective vocal tracks.
Prince Charles Alexander
Prince Charles Alexander is a professor in the Music Production and Engineering department at Berklee College of Music, where he teaches advanced production and mixing. From the early to mid 80s, he produced, wrote, and recorded on Virgin Records with his group “Prince Charles and the City Beat Band.” He was an early innovator of wind synthesis and a part of the “punk-funk” generation that incorporated many of the devices that would propel rap music to the forefront of the American music scene.Alexander is a sought-after recording and mixing engineer, whose clients include Mary J. Blige, Destiny’s Child, Faith Evans, P. Diddy, the Notorious B.I.G., Usher, Boyz II Men, Brandy, Babyface, Sting, Aretha Franklin, Brian McKnight, and others. He has garnered more than 40 Platinum and Gold certifications from the RIAA and has three Grammies and seven Grammy nominations from NARAS. He holds an adjunct instructor position at New York University’s Clive Davis Department of Recorded Music, has taught audio technology at the Institute of Audio Research, and is a frequent lecturer at the City College of New York in Manhattan. Alexander is a member of the Producers and Engineers Wing of the Grammy Committee Board of Governors, the Audio Engineering Society (AES), and the Musician’s Union Local 802 in New York City. He holds a bachelor’s degree in political science and music technology from Brandeis University.